I never used to mind catching a cold or a tummy bug before motherhood, quite liked it in fact. Admittedly in the acute phase there’s little merit in it, but I used to enjoy the requisite down-days at home, especially once I was on the mend. It’s the Hygge factor; sloppy clothes and warm blankets, tea with honey, and homemade chicken soup delivered in a basket by my mother-in-law. For me there was also the added benefit of time for writing when I would have ordinarily been at work. But when you get sick as a parent, especially if your baby succumbs as well, the story becomes something altogether different. Any positives that once existed get thrown out along with the mounds of snotty tissues.
And that’s what happened the week leading up to Christmas. I picked up the kind of cold that turns your legs to jelly, tires you out, and takes out only one of your nostrils; all in all nothing special. It could have been a lot worse. But my symptoms coupled together with a sick baby who has lost the ability to both eat and sleep, that minor cold became something insurmountable. My relaxed days with a laptop on my knees and food deliveries at my door morphed into six wake-ups a night, starting the day at 5 a.m., with no option to just to sit back and let the microbes do their worst. The whole experience makes me dread the day when I actually get properly sick. Something like tonsillitis. I had to dig deep while I fought nothing more than a little bug.
Holding it together in order to meet the demands of a challenge, be it making it to the end of a difficult day of motherhood, or something requiring deeper reserves like finishing a novel, there is undoubtedly a certain comfort in the satisfaction of a completed task. And earlier on this evening I read an article about a ninety six year old man who had just published his second novel. It had taken him until his ninth decade of life before he managed to fulfill his dream. It’s the kind of story that makes me glad I do what I do, and that I decided to chase my ambitions when I was young. Getting published was the top item on my to-do list, and the loftiest of all my professional aspirations. But getting there took great perseverance, considerably more than was required to get through a few sick days with a baby.
The first time I tried to get an agent I was twenty seven. I had just completed my first full length manuscript and I was feeling pretty hyped about it. Not many people could produce a finished book, right? At least that’s what I thought, that it was a massive achievement, and that when I packaged it off to a handful of not-so-carefully selected agents with red string binding no less, I was so sure I would get an offer of representation. I had the naive certainty that most agents were just waiting around for manuscripts like mine to drop onto their desk. Maybe there would even be a fight for it. How wrong was I?
Because that first manuscript wasn’t all that good, and no agent in existence wanted to represent it. But during the writing process I had no idea that what I was producing wasn’t good enough. And in hindsight I’m glad that I didn’t, because if I had realised I might not have made it through to the end. Imagine setting out on the journey to write a book for close to a year, knowing at the beginning that you weren’t going to succeed in finding it a home. You need a degree of blind self-certainty to write a book for the intention of publication, to dedicate over 800 hours to the creation of something that nobody has even asked for. But if that first book isn’t picked up by an agent you have no option but to start book two from a different perspective. You can no longer blind yourself that the book you are setting out to write will be the one that’s get’s you a deal. Instead you have to fall back on the hopes and dreams that drove you to start writing in the first place, and most people know how flimsy a companion hope can be. And in the face of knowing that it might not be the book to get you an agent, you still have to believe that it will be.
Perseverance and self-belief drive you forward. They force you to get better. There’s a famous adage, although I have no idea who coined the phrase initially: a professional writer is an amateur who didn’t quit. And it’s so true. The fact I pay for my mortgage with the words I put onto a page is proof that I have moved from the realms of hopeful hobbyist to professional author, it’s just that it took another seven books before I could do that. Perseverance made that happen, helping me get roughly 1,000,000 words written before I wrote the book that secured me representation and a book deal. But am I any different now to back then?
And the answer is no, not really. Did I get better at my craft? I’d like to think so, but still my first drafts look as horrible as those I wrote eight years ago. So as I string up a new whiteboard and scribble the words ‘book four’ onto it, I still don’t know if it will be a success when it’s finished. In fact I don’t even know if I have a contract for it yet. So my perseverance to write drives me on in the same way it did when I was chasing an agent nine years ago. It will keep me in my chair when everything else is telling me to take a break. And that same perseverance will drive me on tomorrow when I wake up at five in the morning with a stuffy nose and sore throat to see a smiling face staring back at me from the cot next to my bed. Because when something’s worth it, when you really want it, you’ll do whatever it takes to make it a reality.
With all the best intentions, writing a book takes quite a bit of time. My first book took me at least a year to write, working at night and at the weekends, fitting it around work and life. And setting out on that journey, uncertain whether or not I would be able to sustain it long enough to make it from day one, when I was sitting at a blank screen, all the way through to the final sentence. To keep showing up, doing the work and putting in the hours takes a lot of positivity, self belief, and optimism. To sit and work for such a long time without any knowledge as to whether or not your work will ever be read, seen, purchased, or even finished takes a degree of courage. So when you put it out there, either as a self-published author or via the traditional publishing route as I did with MY SISTER, seeing the first critiques coming in can be a nerve-wracking time.
And once the book is ‘out there’ the aim is obviously to get it in front of readers. With a bit of luck the first reviews will be positive. It’s a good start if they are. And it’s possible to form relationships with bloggers and early readers who are keen to support debut writers. Their reviews will focus on the best elements of your work and be encouraging in their critique. But there will always come a point when somebody reads your book and hate it.
Back when I wrote my first book I had no concept of this. I thought it was possible to write a book and have vast swathes of people enjoy it without any haters. My positivity spread over into my agent submission process, which elicited my first negative reviews in the form of rejection slips. There’s nothing more direct than no. At the time I was surprised; I naively thought that not all that many people got their act together long enough to write a whole book, so obviously out of all these agents I was sending it too – there were lots - somebody would literally be waiting on my envelope and my sample chapters, nicely bound with red string, thank you very much. Nobody wanted it.
And it didn’t get much better after that. Of course there were some well-meaning friends and relatives who ‘loved’ it, and actually a few people who I don’t know had some great things to say about it after I self published it on Amazon. But the negative reviews obviously came too. They focused on the edit – which was really just me looking for typos – the poor cover – which I knocked together on Paint, and the fact that some people didn’t even think it constituted a thriller. But when I chose to ignore the one word ‘boring’ reviews and actually took the time to digest what some people took the time to say, the negative reviews were spot on, even if reading the negative comments about a year’s work kind of hurt.
Since then I have received all sorts of criticism from readers. When you are self-publishing getting your book in front of readers is hard, and getting those readers to review it once they’re done is harder still so you have to take the rough with the smooth. But at the time I valued the genuine criticism because it was the only feedback I was getting. Agent’s rejection slips did nothing to tell me where I was going wrong. But the reviews made it possible to look for trends, recurring comments that acted as pointers so that I could improve my writing.
After MY SISTER was published reviews were much easier to come by. My publisher worked hard to get my book in front of book bloggers and reviewers, and before it was even published the reviews were coming in. But that still doesn’t mean they are all positive. And just this week I completed a hashtag search on Instagram and found somebody posting that they didn’t really like my book. In fact, they didn’t even finish it. Nothing sucks more than that.
But what I have realised since the early days of self-publishing is that the reviews are none of my business. My job as the writer is to write a book, hope that it’s good enough to get published, and hope that more people like it than don’t. And so even once the writing process is over the need to keep that optimism and self-belief has never been greater. Fortunately writers have this in abundance. Otherwise we’d never get the book written in the first place.
It's just over six months since the publication of MY SISTER in the UK. During that time there have been at least five other foreign releases that I know of, and there are still more to come. And each time a new foreign edition is released, the latest being the US edition entitled IF YOU KNEW MY SISTER, I'm reminded what a joy it is to see my book in print. Being a writer was a childhood dream, from the first time I picked up a Stephen King book. I used to think that if ever I got an agent and a publishing deal life would change. Of course it did, not quite in the Hollywood, champagne lunch way I envisioned, but suddenly I had to travel to different countries to meet editors, work longer days than I ever imagined, and hit deadlines that were not always easy. But the last six months have brought more changes still, and the routine I used to keep as a writer simply no longer exists.
I've written before about my plans to become a parent through adoption. My husband and I began the process over three years ago and during that time our hopes have risen and fallen it seems at times with the seasons. Just over twelve months ago we thought we were adopting, and then it all fell through for reasons beyond our control. I began to doubt it would ever happen for us, and had started the process of trying to be alright with that. But a few months ago our dreams came true. We were chosen to become the parents of a beautiful baby girl. To call it life changing would be a bit like describing a transatlantic rowing challenge as a nice little jaunt. The ways in which my life has altered are too numerous to count, and even if I wanted to I wouldn't have the time. All of these changes, even the difficult ones are beyond wonderful, but having a child has had a huge impact on my life as a writer.
When you begin the adoption process you think that you are 'getting ready' for when the big day arrives. In hindsight it's quite different. The adoption process is one thing. Adoption is another. Before and after. Even though you are doing what you need to do in order to bring a child home, really you are just getting on with life. The idea of a future with a baby stays with you, but there is nothing tangible on a day to day basis to remind you that you are hopeful, would-be parents. You're not really getting ready like you would if you were pregnant. That sort of bodily change forces your hand. You might want to keep going all the way up until the birth, but at some point you are forced to give in to the inevitable. Hormones change. Biology takes over. When you get the adoption call you go from working twelve hours a day and enjoying easy weekends doing whatever the hell you like, to full time parenting in just a few days. Maybe hours. You begin learning on the job with the most demanding of bosses.
So invariably I had all sorts of stuff hanging in the air when we got the call. Book two had just arrived in my inbox ready for a major edit. I spoke with my agent and my editor who were both wonderfully generous with their time, understanding, and gifts. They gave me the freedom to take my time, and although it turned out that I only needed a month it was a relief to have the option to take longer. I was planning to go to Harrogate for the Theakston's Crime festival, but that plan was quickly shelved. Book three was almost finished, just about ready for those fifteen hour days when you don't leave the desk until you pull it all together. Instead it grew hotter as I did little to it for the month of editing book two. I had to prioritise the time I had and for the first time I was forced to tell myself that I couldn't do everything. My days were suddenly segmented into ninety minute periods of wake and sleep. I worked through every nap and late into the night, showered quickly, and ate on the move. My husband discovered the supermarket. The house grew steadily more messy. And during that time of night feeds and little sleep I fell in love with my new baby and the new, remarkable version of my life.
It takes time to get to grips with motherhood, and how you balance that with life and work. The challenge posed by what used to be everyday routine tasks, including those personal ones that were normally done while alone. Changing the nappy of a moving target, legs to attention at forty five degrees. It takes time to adjust and learn the new routine, find a way for your old life and your new life to coexist. But now with the final - obviously, that's a subjective final- draft of book three almost in the bag, things are starting to feel easier, even if this post has been written with a break for feeding and is being finished as we approach 1 a.m. with a promise of a 4 a.m. wake up call. But with the idea for book four making steady progress in my mind I know I am drawing to a close on book three. I know the routines of being a writer, even if I have had to adapt. Life changes and therefore so do I. I know the idea for book four wouldn't have come without book three being ready. Babies are not quite the same. They don't wait for you to be ready. But I am living the dream. Both of them.
It's a couple of months since the publication of My Sister as an e-book and trade paperback, and it's been an important and busy time. So much seems to have been happening, most of which has been behind the scenes stuff. I've been working to finish book two, whose provisional title I will keep secret just a little bit longer, and get that sent back to my agent. I managed to do that by last Friday, and the following Monday she gave me the go ahead to send it over to my editor. Besides the day your editor tells you the edits are finished, there is no better feeling in the world. It's a very important landmark in the process of the manuscript becoming a book!
Also I am back to working on book three which feels great. I had already written a rough first draft of the intended book three late last year. But then I had a fortunate or unfortunate moment of inspiration depending on the way you look at shelving 80,000 written words. I came up with a completely different story. I looked at it as on opportunity to run with what I thought was a great idea and decided to start afresh. I guess some ideas just come to you and you feel they need to be taken forward. I'm about 80% done on the new project, and it is really starting to come together. Although I haven't quite got the first draft completed, I am going back and forth making changes, developing characters, and really starting to put flesh on bones. It's the best part of the writing process for me, and a lot of fun. Hopefully I will be finished on this draft within the next few weeks.
But My Sister has also been doing me proud. It has been released in France (Sisters) from the publishing house Bragelonne and I recently visited their headquarters in the beautiful city of Paris. It was great to see how positive they are, and also that they are such a supportive team. Meanwhile in the UK it is undergoing a price promotion this month, available for 99p across all platforms. This has resulted in a lot of increased sales. Across Amazon My Sister seems to be ranking consistently well, despite it stubbornly refusing to break into the top 100 suspense category (currently #106), but I did hear that yesterday it made it into the number two spot for the whole of the iBooks chart in the UK which was absolutely wonderful. It was also in great company, nestled between J.P. Delaney's The Girl Before, and Margaret Atwood's The Handmaid's Tale. Anybody who has read my bio will know just what that means to me. All in all a great first two months.
So a massive thanks to everybody who has picked up a copy so far. But for now I need to get back to book three and try to get it finished before book two lands back on my desk in a few weeks time!
You can pick up your copy of My Sister for your device here.
I used to think that getting an agent was the hard part, and that if only I could do that everything else would fall into place. And of course, I still agree that getting an agent is the hard part. Only what I’ve learned since finding representation is that there are many other hard parts to be found just past the point of getting signed.
Last week was for me the culmination of years of dreaming and hard work; my debut novel, MY SISTER, was published. The day in itself went by in a bit of a blur, mainly spent fire fighting; answering questions, sending tweets, and keeping up to date with release day business. But amidst the celebration there was a lot of work to get done because although My Sister is loose in the world there remains a lot of other work to do behind the scenes. One such job was to get book three to my agent for its first public viewing. And that is almost done. I have one more read through to do before I send it at the end of the week. And it’s just as nerve wracking as it ever was because technically she has no obligation to represent this new piece of work. For the sake of sanity let’s just pretend that’s not true. But there is also book two, the second book of my current contract to complete. I’ve been waiting on the return of the edits for this manuscript for a while now, and last Friday they arrived.
Just before publication I tweeted about the dedication and massive amount of hard work it takes to get your debut novel into the world. In the years since I first picked up a pen I have written plenty of manuscripts, seven I think, which equates to approximately 1,000,000 written words. That’s not counting all the discarded words that are required in order to get to the finished product. A conservative estimate would be that I have discarded close to as many words as I have kept. But there is a huge difference between all these discarded manuscripts and the debut novel from book two; these books were written on my own, behind closed doors. Until I got that call from an agent who wanted to work with me it was all up to me. The manuscripts were my property. My imaginary world, my imaginary people, and I got to do to them as I wished. But once you are under contract, and writing with other people in mind, some of the freedom that comes with book one is lost. In short, book two is a beast not easily tamed.
In all truth book two has been difficult for me, and we are not home and dry yet. While the enthusiasm was there as strong as ever, suddenly I was no longer writing for myself. Now I was writing for myself, my agents, my editor, and with a deadline in mind as set out by a legally binding contract. And book two needed writing at the same time as completing editorial work for book one. This was the first time I had ever had to focus on more than one book at a time, and slipping between the two worlds was not always easy.
So I ended up writing book two twice, in two distinct periods. The first draft was followed by a second, much more convoluted draft when I started to make some massive editorial changes. It was also no small decision last summer to spend a whole month changing the tense from first person present to first person past. Any writer who has ever done that will tell you it is a difficult challenge. Still, I got it finished and submitted that draft to my editor as per the deadline. The only thing was, I wasn’t terribly happy with it. But I also knew by then that the process of reaching a final draft would be a combined effort, and so I wasn’t worried by the fact that I knew it still needed substantial work. And sure enough, that was what my editor thought too.
What we did have in that first draft was a lot of good content, and so with renewed enthusiasm with book one at the printers I sat down, focused on writing a clear synopsis, and presented that in a meeting to my editor. She loved it, so it was back to the drawing board, reworking the content and rewriting sections of the book. It felt easier, smoother, and altogether a much more satisfying process.
The latest edits for this revised draft which came back to me last Friday reflect this, and there are lots of positives to take. Editors are well schooled in delivering critique alongside praise, so the work still to be done doesn’t feel as daunting as perhaps it should. And so I am setting off once again in search of a completed book two. I have the feeling that this time at least we are on a much better road.
And that’s the reality of being a working writer. The hard work doesn’t stop, and actually just seems to increase. There remain uphill challenges the other side of representation. You just have to roll your sleeves up and get the job done, just like you would after a rejection letter arrived. And now I’m in the process of writing book three and editing book two it doesn’t feel as challenging as it did when book one and book two were running simultaneously. I feel like I’m – sort of - on top of things. I can even tell you I’m enjoying it. Even when my editor suggests that it would have been better written in first person present tense. I guess sometimes you just have to put it down to experience and focus on getting the job done.
So publication day arrived. I thought about writing a post about how I felt about that, about how excited I was, and how dreams were coming true. But as this isn't a therapy session and you probably don't need me to bare quite so much of my soul, I thought I'd show you instead a little bit about what publication day was actually like. Because I don't know about you, but I have (had, at least) a certain view of what publication day might be like many years ago when I was still searching for an agent. And I'll be honest, it was kind of glitzy, strikingly similar to Carrie's publication day in SATC, and was nothing like what publication day actually turned out like. So here, from beginning to end, is pretty much everything I did minus toilet breaks on the day when My Sister was launched into the world.
00:42 - Realise that it's publication day. Send excited tweet and find awesome pig gif that just about sums up my mood.
07:00 - Alarm goes off and the first thought, obviously, is that the book should be out now. Quickly check Amazon, see that the preorder button has disappeared. See a few new reviews, decide in the interest of having a good day that it's probably best not to read them, you know, just in case.
07:30 - Answer all tweets. Have a quick burst of excitement, cut some shapes David Brent style around the bedroom, generally making a nuisance of myself with my husband who's trying to get ready for work.
07:45 - With breakfast and shower complete I arrive at my desk. Answer some more tweets. Decide to read the Amazon reviews. We're good so far. Finish the blog post that I was supposed to have finished yesterday, realise writing at 11 pm when I'm shattered is a bad idea. Rewrite most of what I wrote the night before. Send it off to my publicist ready for my blog tour next week.
09:15 - Caffeine top-up. Start publication day blog post. Take a couple of phone calls from patients at our clinic.
10:10 - Start working on book three.
10:45 - Flowers arrive! They are from my agents, the people who made all this all possible. Have a little moment of disbelief. Realise that although I started working on book three, I've barely done a thing.
10:55 - Back to working on book three. Interrupt the working when I receive an email from my publisher with a summary of everything that has happened so far, from the first proof copies of the books, to the earliest sales data for trade paperback preorders.
11:35 - More flowers! So pleased to get a second bunch of flowers from my publishers, totally unexpected. Have another moment, take a hayfever tablet, and try and get back on with work.
12:00 - Realise work is a total write off today, so put some music on (Emile Sande) answer more tweets. Get an email from my publicist with information for the blog tour which is starting next Monday. She has attached a banner which is awesome.
12:45 - Settle back down to do some work, and manage to get a whole chapter done. Just as I'm finishing I get an email from my agent with an updated copy of the French cover. Read over the morning's edits, decide the morning wasn't a total write off after all.
14:00 - Break for lunch (fish finger sandwich as I haven't done any shopping in days) and eat that while checking Amazon. Slightly disappointed to see that the books chart position hasn't changed all morning, then realise I'm looking at the paperback numbers. Switch to the Kindle edition and see that the position is 560,000 positions higher than I thought. Happy with that, and two new reviews which have some good things to say. Settle back down to work on book three, but am interrupted a few minutes later.
14:25 - Ikea delivery! Finally bought a sofa for outside, and cannot resist the lure of the boxes. Put on some more music (Creed) and set about making it. Ponder the idea that there is probably a finite amount of Ikea furniture that any one person can build in a lifetime, and that I have undoubtedly surpassed it. Finish just as husband is getting home from work. Very convenient. Find dirty cat footprints on the white cushion five minutes after finishing. Because, of course the cat was always going to sit on it as soon as he'd been in the mud.
17:30 - Head out for a bit of celebratory dinner. Raise our glasses with diet Coke as hubs is oncall. Battery on my phone dies. Have mild panic about absence from twitter.
19:00 - Back home, phone charging. Update twitter, pleased to see some love for My Sister in the shape of independent blogger competitions. Earmark five of my own copies for a giveaway, post that to twitter. Try to finish blog post at the same time as keeping up with twitter replies.
20:00 - Answer last emails and catch up with various social media outlets like Instagram and FB that I've been ignoring all day. Realise I haven't posted to Facebook about the release, and somehow still fail to do so. Do however manage to check Amazon, and find book in the Guardian Bookshop which makes me ridiculously happy because I read that paper every day.
21:30 - Pour some wine when I reach the conclusion that's it for the day, and put my feet up. Decide my growing Amazon obsession is unhealthy and promise myself no more for the rest of the day.
23:10 - Head to bed, read the first chapter of a new book. Check Amazon despite my promises to myself. Realise I still didn't finish this post but my mind flicks to a problem with the first chapter of book three. I fall alseep thinking about that and have the weirdest dream about Teresa May.
It’s just over a week until My Sister will be set loose into the world, and still I haven’t given it a huge amount of thought. The thing is I have so many other things I am focusing on that My Sister feels a bit like a long lost friend, that person that you intend to call, only you never quite get round to doing so because you know they are doing just fine. And with My Sister on autopilot I’ve spent most of the last month writing and editing a new book and waiting on edits for the second. But every now and again I get a little reminder of the impending release that’s looming in nine days time.
The most obvious and exciting of these reminders was the arrival of a ticket from DHL. Knowing I hadn’t ordered anything I convinced myself it was a box of books, and I wasn’t disappointed. Twelve lovely copies all in a row, minus those snaffled by eager family members. Friends sent me screen shots of their Amazon pre-orders too, and I added pre-order buttons to my website. What started off as a vague idea for a book a few years ago has in the last few days become something tangible. It's ready. There's nothing else to do. Whether I’m ready or not is another matter entirely.
But I suppose I am. I’ve been waiting for this moment for years. From about the age of nine years old to be semi-precise, during a time when I also wanted to be a makeup artist in Hollywood and the first female fighter pilot in the RAF. I suppose at that age anything feels possible. But then I picked up my first adult book (Gerald’s Game, by Stephen King) and all other dreams faded; I wanted to be a writer. That was before I had even opened the cover. Why? Because there was this great picture on the front along with the name of the author in embossed gold lettering. The coolest black and white 80’s style author shot on the back. In short, the guy looked cool. I suggested borrowing it which stirred much furor from my folks, a fact which only served to make me all the more enthusiastic.
The thing was it seemed so different to the books I had read up until then. And of course it was, turning out to be a horror story concerning a sadomasochistic weekend gone wrong, but still you get the point. But equal to the book was the conversation that ensued between the grownups of the room about how King must be crackers to write the kind of things he did, which seemed so bizarre to me. I couldn’t understand it. It was just a story, wasn’t it? Make believe? I realised then that some writers could hold a sort of magic over their readers, created by their words alone. They could make you believe things, even to the point that you might question their own sanity. And I wanted in on that. Incidentally I borrowed the book. Loved it. I boxed up my Winnie the Pooh and Roald Dahl books not long after I’d finished it and started visiting different shelves in the library from then on, still wondering why anybody would handcuff another person to a bed in the first place. There were, for obvious reasons, huge plot points lost on me. Still, the book won me over.
And just like when I held that King book in my hand for the first time, holding my own book felt just as magical. Something I had dreamed of, including the embossed lettering. I tore open the box, stroked the cover, turned the pages, read snippets from various chapters. I shared it on Snapchat and Instagram it. Was it mine? Really? Was this my doing? It all seemed a bit unbelievable. But there they were, twelve copies of a book with my name on them. My family read the acknowledgements and seemed pleased they got a mention. My husband Facebooked a picture when he found his name in the back pages, and told everybody prepared to listen how proud he was of me. Somebody happened to give him a bottle of champagne as a thank you for doing a good job, and so we have put that in the fridge and earmarked it for the release date next Thursday. Next Thursday.....so close I can barely believe it. I was talking to my brother and he joked that it would be great if somebody made My Sister into a film. I suppose maybe it would be. But right now, it’s a book. Finally, it’s a book.
Busy doesn’t quite cut it. Last week I delivered a synopsis to my agent, revised a second synopsis that I had delivered the week before, and wrote the first chapter of a new book. This wasn’t the ethereal book three I was supposed to be planning, but another book which arose from a conversation I had with my agent that started something along the lines of, ‘You know what I’d really like to write?’, and ended up with me committing to write two books simultaneously. I also finished the first 45,000 words of the expected third book, which I started editing this morning. So much is happening in the day to day order of things it is easy to forget the things going on in the background without my direct input. I remember only when a third party asks how long away it is until the book comes out. The Book. That’s when I remember. My Sister, now only a month away from being published.
This day has been a long time coming. The book first sold to Headline almost eighteen months ago, and it was picked up (along with me) by my agent months before that. I started looking for an agent about three months before I got signed, and started writing My Sister (which had a different title back then which I’m too embarrassed to commit to print) about a year before that. So what’s that? Three years in the making? And now the day is actually tangible. It’s no longer in a couple of years. It’s not next year, either. It’s next month. It’s actually right around the corner, and to be honest, I can’t quite believe it.
But it's not been at all like how people say things go fast when you are enjoying yourself. It hasn’t gone fast at all. It feels like a long time ago that I started writing My Sister, to the point that it almost feels strange to think about a time when I wasn’t writing it, spending my day with these two sisters who can’t seem to catch a break. Back then writing was still a hobby and while I hate that word, that’s what it was. It never felt like that to me, but I did it when I could, outside of working hours, and it didn’t pay the bills. But now it has become a job. There are people waiting on my work, for me to finish on time, and get it right. The deadlines are no longer self imposed. I remember the first time an agent asked to see my manuscript and I knew it wasn’t quite ready. I put in three long days of fifteen hours each for one last run through and lost my voice from reading the whole thing aloud. I thought that was pretty insane back then. Crazy stuff. Now days like those feel increasingly like the norm.
But it’s not just when it's coming out that people want to know. People ask me how I feel about publication being so close. And in all honesty I don’t know what to tell them. I’m excited, yes, but anxious too. I hear of other authors enjoying release day and the hitting the bestseller lists the next day, and that makes me way more nervous than the thought of the impending reviews. I used to be self published so I’m used to people having something to say about my work. If I’m lucky some people will love this book, but I'm ready for the inevitable fact that others will hate it. That’s OK by me. It better be because it's not like I get a choice about what they think. But what I really don’t want is to let down the people who have trusted me and my work.
I think back to the me I was as a writer a few years ago and how life has changed. So many awesome things have happened since then; an agent who said yes (they exist!) and an editor who called me up to discuss the book she’d just bought. I was like a rabbit in the headlights, and was sure she would hang up and wonder what the hell she had done. Artwork and proof copies and nights out in London to ‘meet people’. To chat with people who work for magazines I read, who have copies of my book on their desks. Seriously, like what? And perhaps more than all of that to know that next month there will be an article in the Guardian written by me, giving me a chance to raise awareness about a subject so close to my heart.
I have no idea how to put what I feel about all of this into words, but I’m pretty excited to see what the next month will bring. Just one month until my biggest childhood dream comes true. The strange thing is that I’m pretty sure it can’t top what’s already happened. Just enjoy it, people tell me. So that's what I'll do, It sounds like great advice.
Sometimes I come up with ideas and turn them into books. This blog is about everything else.
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My Sister book review on writing.iw