In just a few short months it will be a decade since I moved to Cyprus. In some ways it doesn’t feel like that long, and in other ways it’s as if the whole word has changed since the day I stepped onto a plane with a one way ticket. In that time, I know I have changed a lot as a person. When somebody asked me before I left what I was going to miss when I left the UK, I didn’t have an answer for them. Not because there weren’t going to be things that I’d miss, but rather because I wasn’t looking at it like that. I was looking forward to a new life, and was happy to try and start again. I didn’t want to try and recreate the life I lived in the UK, in a new country that I knew very little about.
Yet starting again in a new country is always going to be harder than you think or hope it will be. I felt sure that within six months I’d have the language sussed, had no idea that ten years down the line I’d still be asking people what certain words mean. I knew my career would be different, but I never imagined, or would have even dared to dream, by quite how much it would change. This week I have been thinking a lot about fresh starts after deciding to quit on a 75,000 words manuscript. It’s not the first time I’ve done something like this, having previously abandoned another book in the past, and also needing to rewrite Between The Lies, my second thriller, at least four times. Second book hell. But it is the first time I’ve abandoned a work in progress with such certainty.
I knew, all along, that something wasn’t quite right with the book that I had been writing. Six or seven years ago, I would have taken that rather differently. I would have either persevered, and with an 85,000 word manuscript would have declared it ready and defiantly hit the self-publish button, or I would have scrapped it in the belief I was a crappy writer and ploughed head first into another book in yet another genre. Something with aliens, or London in a toxic post-apocalyptic fog. Now though, I recognise a crappy draft as what it is; the road to the book I’m supposed to be writing.
I’ve been writing this particular book for about six to eight months now. When I began, I felt sure I was working along the right lines. I had an idea, something that I thought functioned as a hook, and yet when I started writing it, I couldn’t get it quite right. So, I stopped for a while, took a break for some more planning, and then came back to it. Another 20,000 words later I hit another roadblock, and I started to wonder if it was a sign that something was wrong with my idea. I shelved the project for some thinking time, and went on to write 25.000 words for another idea that I had in mind. I wasn’t sure where I was going with that, but sometimes when I need a break it’s helpful to focus on something else entirely. But ultimately, by starting another book, the only conclusion I could reach was that I wanted to return to the book that I couldn’t make work, even though I still had no idea what I was supposed to be doing.
I started it again, reaching a lofty 75,000 words, which is not all far from the end of a first draft, in theory at least, although I still wasn’t sure as to what end I was writing. Then, by chance, I received my edits for Little Wishes, and from somewhere, no idea where, the idea for the other book came to me. All it took was a new location, one change of plot, and the whole story changed. The beginning felt improved, with greater believability, and the end left me with a lump in my throat. I wrote a synopsis quickly, which for me is always a good sign, and showed it to my harshest critic. That’s my husband, who had disliked everything about the previous book. As I read it aloud, he went quiet. I got a thumbs up, and I knew I should take that as an indication that I was onto the right idea. Finally.
So, this week I’ve been writing the first draft of this new version, lifting material from the earlier draft where I could, and writing new material where needed. New chapters, where I am absolutely in love with what is happening. And it feels as if perhaps now, in what must be draft four or five, I am exactly where I’m supposed to be with it. Another fresh start, with all the baggage from the earlier versions, characters whose lives had never been on the right course, now doing exactly what they are supposed to be, exactly where they were supposed to be doing it. Which, now I come to think of it, feels more than a little bit like me moving to Cyprus.