Last week on the blog, I was thinking about my writing routines, and the kind of practices I used to have in terms of writing my earliest books. Also, what routines I have now, and in what way they differ to how I started out. And now that it is November, officially the month of NaNoWriMo, it seems sensible to linger a while longer on this. Because while it's okay to talk about writing practices, and how they are changed, an important question goes unanswered; what is required to formulate a writing practice in the first place?
For many people this November will be the first time they embark on a novel writing experience. In the past I have also participated in NaNoWriMo, and it was an excellent way for me to focus my time and efforts on a predefined goal. My third self-published book was written that way. But managing to write 50,000 words within one month does, I think, seem a somewhat daunting process. Even now, the truth is, that if I was asked to write that many words in one month, my first reaction would not be positive. I'd be considering the complexities of navigating a plot, of how to make the relationships between the characters blend effortlessly, and how I might make characters I had not yet met for any length of time feel real. But while all of these concerns go against writing that many words in such a short space of time, the argument against taking that challenge ignores one of the most fundamental tents of what it takes to write a novel.
If you are reading this, I'm guessing there is a chance you are considering writing a novel. Perhaps it's not your first, or maybe perhaps it is. It doesn't matter when it comes to this point. Because I suspect that at no matter what stage you are at, whether it be your first book, or your tenth, you share a concern that all writers feel to varying degrees. Even now, as I plan my next book, I am aware of it; will it be any good? But if this is your first novel, I feel there is something important to point out, because there is something you learn after having written a few novels already; the first draft doesn't have to be.
Only in the practice of writing do you begin to learn that early drafts have no requirement to be good. Some writers might spend months on writing a first draft, only to delete it and start again once that rough attempt gave them what they needed. Others might keep the early draft and cherry pick the best bits. Of course, there are a few who are able to write an almost clean draft from the outset, but I know for a fact there are also many, many sentences and paragraphs that will be scrapped for the majority of writers working today. Even a novel that has been through several edits by the writer herself, and perhaps the agent too, will go on to receive further scrutiny at the level of the publishing house. My first traditionally published novel My Sister was changed dramatically after getting to the publishers.
So if you are setting out to write your first novel, whether it be a 50,000 word bonanza during NaNoWriMo, or a more gentle fifteen to twenty minutes per day while the kids are in the bath and you have the laptop propped on your knees, I offer you this one moment of solidarity from somebody who knows; worry less about what you are writing, and focus only on the fact you are doing it. The quality of the writing matters little at this stage. Just get the story down, and you can work on things like voice, structure, and even plot at a later date. The best bits always show up during the edit anyway.